Pensar el paisaje
Proyecto seleccionadoConvocatoria de proyectos expositivos 2025
Solo Show
2025
Centro Cultural Casa Amelia
El Retiro - Colombia
2025
Centro Cultural Casa Amelia
El Retiro - Colombia
Pensar el paisaje proposes a dialogue between contemplation and the sensorial experience of the environment, inviting viewers to reconsider their relationship with what we call landscape. It is not a literal representation of nature, but rather an exercise in inner gaze—an attempt to capture the rhythms, atmospheres, and fragments that shape the memory and experience of place.
At the heart of the exhibition lies a large hanging canvas, painted on both sides and extending from floor to ceiling. Installed without a stretcher, it merges with the architecture of the exhibition space. Suspended and unbound, its vertical scale transforms it into an immersive and striking element, evoking notions of tapestry and craftsmanship through the integration of painting and stitched threads. As visitors move around it, they encounter a pictorial object that can be surrounded and inhabited, where the void, the center, and the height of the room become as significant as the painted surface itself.
In contrast, the smaller works function as suspended fragments—intimate visions that capture fleeting moments, details, or sensations. Displayed in varying configurations, these paintings expand the notion of landscape, suggesting that it is not a closed totality but a weave of parts, perceptions, and emotions.
El Retiro, Antioquia, serves as the point of departure for this reflection. Its mountains, atmospheres, and silences seep into the works—not as documentary record, but as evocation of a territory that is both thought and felt. In this way, Pensar el paisaje unfolds as a journey oscillating between the monumental and the intimate, the exterior and the interior, inviting slow contemplation and the opening of new ways of perceiving the world around us.
At the heart of the exhibition lies a large hanging canvas, painted on both sides and extending from floor to ceiling. Installed without a stretcher, it merges with the architecture of the exhibition space. Suspended and unbound, its vertical scale transforms it into an immersive and striking element, evoking notions of tapestry and craftsmanship through the integration of painting and stitched threads. As visitors move around it, they encounter a pictorial object that can be surrounded and inhabited, where the void, the center, and the height of the room become as significant as the painted surface itself.
In contrast, the smaller works function as suspended fragments—intimate visions that capture fleeting moments, details, or sensations. Displayed in varying configurations, these paintings expand the notion of landscape, suggesting that it is not a closed totality but a weave of parts, perceptions, and emotions.
El Retiro, Antioquia, serves as the point of departure for this reflection. Its mountains, atmospheres, and silences seep into the works—not as documentary record, but as evocation of a territory that is both thought and felt. In this way, Pensar el paisaje unfolds as a journey oscillating between the monumental and the intimate, the exterior and the interior, inviting slow contemplation and the opening of new ways of perceiving the world around us.
